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Editorial Gabriela Rangel
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Páginas 250
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ISBN 978-607-95256-2-0
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The SITAC VIII proposes a reflection on those discourses and practices such as radical feminism, film and performance that have generated blind spots on the criticism and theory of contemporary art. Today we wonder if it would be possible for an active artist, regardless of gender, to render feminist interventions taking the risk of being typecast in a ghetto, leaving aside theories or ideas of sexual politics. Can we rely on gender studies to become aware of this stigma registration?